Beauty – presence of God’s truth

Perhaps it has happened to you at one time or another – before a sculpture, a painting, a few verses of poetry or a piece of music – to have experienced deep emotion, a sense of joy, to have perceived clearly, that is, that before you there stood not only matter – a piece of marble or bronze, a painted canvas, an ensemble of letters or a combination of sounds – but something far greater, something that “speaks,” something capable of touching the heart, of communicating a message, of elevating the soul.

A work of art is the fruit of the creative capacity of the human person who stands in wonder before the visible reality, who seeks to discover the depths of its meaning and to communicate it through the language of forms, colors and sounds. Art is capable of expressing, and of making visible, man’s need to go beyond what he sees; it reveals his thirst and his search for the infinite. Indeed, it is like a door opened to the infinite, [opened] to a beauty and a truth beyond the every day. And a work of art can open the eyes of the mind and heart, urging us upward.

But there are artistic expressions that are true roads to God, the supreme Beauty – indeed, they are a help [to us] in growing in our relationship with Him in prayer. We are referring to works of art that are born of faith, and that express the faith. We see an example of this whenever we visit a Gothic cathedral: We are ravished by the vertical lines that reach heavenward and draw our gaze and our spirit upward, while at the same time, we feel small and yet yearn to be filled. … Or when we enter a Romanesque church: We are invited quite naturally to recollection and prayer. We perceive that hidden within these splendid edifices is the faith of generations. Or again, when we listen to a piece of sacred music that makes the chords of our heart resound, our soul expands and is helped in turning to God. I remember a concert performance of the music of Johann Sebastian Bach – in Munich in Bavaria – conducted by Leonard Bernstein. At the conclusion of the final selection, one of the Cantate, I felt – not through reasoning, but in the depths of my heart – that what I had just heard had spoken truth to me, truth about the supreme composer, and it moved me to give thanks to God. Seated next to me was the Lutheran bishop of Munich. I spontaneously said to him: “Whoever has listened to this understands that faith is true” – and the beauty that irresistibly expresses the presence of God’s truth.